The Craftsmanship of Writing

The Craftsmanship of Writing

Frederic Taber Cooper

Oregan Publishing

TO

ARTHUR BARTLETT MAURICE


In recognition of long-standing and loyal friend- ship as well as of his special kindliness towards this particular volume, it is herewith cordially inscribed

Contents

Preface

1. The Inborn Talent

2. The Power Of Self-Criticism

3. The Author's Purpose

4. The Technique of Form

5. The Gospel of Infinite Pains

6. The Question of Clearness

7. The Question of Style

8. The Technique of Translating

Preface

The present volume is the outgrowth of a course in essay writing, offered two years ago in connection with the University Extension work of Columbia University. It embodies in part what the author then undertook to teach his students, supplemented by what the students quite unconsciously taught the author. There was a class which, taken collectively, offered much diversity of scholarship, a wide range of preparation for writing. Yet one and all of them presented practically the same sort of problem; one and all said in effect: "I have had such and such training; I have worked hard and willingly; yet my manuscripts do not sell. What is the matter with my preparation? What books should I read? What course should I take?" And in a wider way, these are the questions that are to-day being asked throughout the length and breadth of this continent. Now the purpose of this volume is to answer these questions, by pointing out that the fault is primarily with the would-be authors themselves, and not with their preparation. The best teaching they can anywhere receive is at most a makeshift, a mere starting point; they must learn to rely upon themselves, and the earlier the better. The most that this book or any other can do is to guide them away from certain wrong paths and toward certain right ones ; they must cultivate self-criticism, industry, the art of taking infinite pains, the habit of looking upon to-day's failures as the stepping stones toward to-morrow's success. The laurels of authorship are worth the winning largely because there is no primrose path leading to them. 

    


 New York: April 13, 1911.