Details
Music Production
A Manual for Producers, Composers, Arrangers, and Students3. Third Edition
64,99 € |
|
Verlag: | Rowman & Littlefield Publishers |
Format: | |
Veröffentl.: | 12.08.2021 |
ISBN/EAN: | 9781538128510 |
Sprache: | englisch |
Anzahl Seiten: | 450 |
DRM-geschütztes eBook, Sie benötigen z.B. Adobe Digital Editions und eine Adobe ID zum Lesen.
Beschreibungen
<p><span>In an age when the recording industry is undergoing its most radical change in over half a century, the guidance of a skilled music producer is quickly becoming indispensable for producing a great recording.</span></p>
<p></p>
<p><span>Music Production: A Manual for Producers, Composers, Arrangers, and Students, Third Edition </span><span>serves as a comprehensive road map for navigating the continuous transformations in the music industry and music production technologies. From dissecting compositions to understanding studio technologies, from coaching vocalists and instrumentalists to arranging and orchestration, from musicianship to marketing, advertising, and promotion, Michael Zager takes us on a tour of the world of music production and the recording industry, helping students and professionals keep pace with this rapidly changing profession.</span></p>
<p></p>
<p><span>This third edition features:</span></p>
<ul>
<li><span>New interviews with eminent industry professionals</span></li>
<li><span>Updated information on current trends in producing popular music and the impacts of the Music Modernization Act</span></li>
<li><span>Additional material on video game music</span></li>
<li><span>End-of-chapter assignments for course usage</span></li>
</ul>
<p></p>
<p><span>An instructor’s manual is available. Please email textbooks@rowman.com.</span></p>
<p></p>
<p></p>
<p><span>Music Production: A Manual for Producers, Composers, Arrangers, and Students, Third Edition </span><span>serves as a comprehensive road map for navigating the continuous transformations in the music industry and music production technologies. From dissecting compositions to understanding studio technologies, from coaching vocalists and instrumentalists to arranging and orchestration, from musicianship to marketing, advertising, and promotion, Michael Zager takes us on a tour of the world of music production and the recording industry, helping students and professionals keep pace with this rapidly changing profession.</span></p>
<p></p>
<p><span>This third edition features:</span></p>
<ul>
<li><span>New interviews with eminent industry professionals</span></li>
<li><span>Updated information on current trends in producing popular music and the impacts of the Music Modernization Act</span></li>
<li><span>Additional material on video game music</span></li>
<li><span>End-of-chapter assignments for course usage</span></li>
</ul>
<p></p>
<p><span>An instructor’s manual is available. Please email textbooks@rowman.com.</span></p>
<p></p>
<p><span>Michael Zager provides students with a comprehensive overview of music production, touching on topics such as studio technologies, compositions, coaching, arranging, and marketing and advertising. This third edition features new interviews with eminent industry professionals and updated information on current trends, including video game music.</span></p>
<p></p>
<p></p>
<p><span>Preface</span></p>
<p><span>Acknowledgments</span></p>
<p><span>Introduction</span></p>
<p></p>
<p><span>Part 1: Music Production</span></p>
<p><span>1. An Overview of Record Production</span></p>
<p><span>2. The Creative Concepts of Production</span></p>
<p><span>3. The Artist</span></p>
<p><span>4. Songwriting</span></p>
<p><span>5. Arranging and Orchestration &Approaching an Arrangement and Orchestration </span></p>
<p><span>6. Coaching Singers and Musicians</span></p>
<p><span>7. The Production Process</span></p>
<p></p>
<p><span>Part II: PRODUCING MUSIC FOR DIFFERENT VENUES</span></p>
<p><span>8. Music Videos, Video Games, and Film and Television Trailers</span></p>
<p><span>9. Producing Music for Film and Classical Recordings</span></p>
<p><span>10. Producing a Band</span></p>
<p><span>11. Producing Library Music </span></p>
<p><span>12. Producing Advertising Music, Television Music, and Corporate Music</span></p>
<p></p>
<p><span>Part III: recording and engineering</span></p>
<p><span>13. Mixing and Mastering</span></p>
<p><span>14. The Studio</span></p>
<p><span>15. Audio Engineering</span></p>
<p></p>
<p><span>Part Iv: The Music Business</span></p>
<p><span>16. A Combination of Art and Business</span></p>
<p><span>17. The Record Business</span></p>
<p><span>18. Marketing and Promotions</span></p>
<p><span>19. Business Agreements and Creating a Business Plan</span></p>
<p><span>20. Album Production Budget</span></p>
<p><span><br>Epilogue</span></p>
<p><span>Index</span></p>
<p><span>Bibliography</span></p>
<p><span>About the Author</span></p>
<p></p>
<p><span>Acknowledgments</span></p>
<p><span>Introduction</span></p>
<p></p>
<p><span>Part 1: Music Production</span></p>
<p><span>1. An Overview of Record Production</span></p>
<p><span>2. The Creative Concepts of Production</span></p>
<p><span>3. The Artist</span></p>
<p><span>4. Songwriting</span></p>
<p><span>5. Arranging and Orchestration &Approaching an Arrangement and Orchestration </span></p>
<p><span>6. Coaching Singers and Musicians</span></p>
<p><span>7. The Production Process</span></p>
<p></p>
<p><span>Part II: PRODUCING MUSIC FOR DIFFERENT VENUES</span></p>
<p><span>8. Music Videos, Video Games, and Film and Television Trailers</span></p>
<p><span>9. Producing Music for Film and Classical Recordings</span></p>
<p><span>10. Producing a Band</span></p>
<p><span>11. Producing Library Music </span></p>
<p><span>12. Producing Advertising Music, Television Music, and Corporate Music</span></p>
<p></p>
<p><span>Part III: recording and engineering</span></p>
<p><span>13. Mixing and Mastering</span></p>
<p><span>14. The Studio</span></p>
<p><span>15. Audio Engineering</span></p>
<p></p>
<p><span>Part Iv: The Music Business</span></p>
<p><span>16. A Combination of Art and Business</span></p>
<p><span>17. The Record Business</span></p>
<p><span>18. Marketing and Promotions</span></p>
<p><span>19. Business Agreements and Creating a Business Plan</span></p>
<p><span>20. Album Production Budget</span></p>
<p><span><br>Epilogue</span></p>
<p><span>Index</span></p>
<p><span>Bibliography</span></p>
<p><span>About the Author</span></p>
<p></p>
<p><span>Michael Zager</span><span> is Dorothy F. Schmidt Eminent Scholar in Performing Arts, professor of music, and director of the commercial music program at Florida Atlantic University. His recording awards for producing, composing, and arranging include 15 gold or platinum records. He is the author of </span><span>Writing Music for Commercials: Television Radio Commercials and New Media, Third Edition</span><span>.</span></p>
<p><span>This third edition features:</span></p>
<ul>
<li><span>New interviews with eminent industry professionals</span></li>
<li><span>Updated information on current trends in producing popular music and the impacts of the Music Modernization Act</span></li>
<li><span>Additional material on video game music</span></li>
<li><span>End-of-chapter assignments for course usage</span></li>
</ul>
<p></p>
<ul>
<li><span>New interviews with eminent industry professionals</span></li>
<li><span>Updated information on current trends in producing popular music and the impacts of the Music Modernization Act</span></li>
<li><span>Additional material on video game music</span></li>
<li><span>End-of-chapter assignments for course usage</span></li>
</ul>
<p></p>
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