Details
Modernidades contra-natura
Crítica ilustrada, prensa periódica y cultura manuscrita en el siglo XVIII americanomimesis, Band 115 1. Aufl.
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109,95 € |
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| Verlag: | De Gruyter |
| Format: | EPUB |
| Veröffentl.: | 07.10.2024 |
| ISBN/EAN: | 9783111388717 |
| Sprache: | spanisch |
| Anzahl Seiten: | 396 |
DRM-geschütztes eBook, Sie benötigen z.B. Adobe Digital Editions und eine Adobe ID zum Lesen.
Beschreibungen
<p>This book explores the emergence of literary history and criticism in the Americas during the 18th century, focusing on natural history as a matrix for literary history and criticism, the geopolitical functions of literary criticism in the periodical press, and the recovery of manuscripts as a residual product of modernity. </p>
<p>The study questions the epistemological conflicts provoked by the manuscript status of a considerable part of 18th-century scholarship, in which the projects of an American modernity appear subjugated by and yet resilient to the power of the European printing press.</p>
<p>The study questions the epistemological conflicts provoked by the manuscript status of a considerable part of 18th-century scholarship, in which the projects of an American modernity appear subjugated by and yet resilient to the power of the European printing press.</p>
<p>This book explores the emergence of literary history and criticism in the Americas during the 18th century, focusing on natural history as a matrix for literary history and criticism, the geopolitical functions of literary criticism in the periodical press, and the recovery of manuscripts as a residual product of modernity. </p>
<p>The study questions the epistemological conflicts provoked by the manuscript status of a considerable part of 18th-century scholarship, in which the projects of an American modernity appear subjugated by and yet resilient to the power of the European printing press.</p>
<p>The study questions the epistemological conflicts provoked by the manuscript status of a considerable part of 18th-century scholarship, in which the projects of an American modernity appear subjugated by and yet resilient to the power of the European printing press.</p>
<strong>Kevin Sedeño-Guillén</strong>, University of Cartagena, Colombia.
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