Details
Making Sense
A Theory of Interpretation|
35,99 € |
|
| Verlag: | Rowman & Littlefield Publishers |
| Format: | EPUB |
| Veröffentl.: | 22.02.2000 |
| ISBN/EAN: | 9781461639084 |
| Sprache: | englisch |
| Anzahl Seiten: | 128 |
DRM-geschütztes eBook, Sie benötigen z.B. Adobe Digital Editions und eine Adobe ID zum Lesen.
Beschreibungen
Critics and artists (including performing artists) claim the title of 'interpreter' for themselves. Scientists do not so readily describe themselves in this way. But is the formulation of explanatory hypotheses in science so different from the interpretive work of artists?
<i>Making Sense</i> recognizes that whenever interpretation occurs there may be a plurality of competing successful interpretations. It offers a philosophical theory that views the interpretive enterprise as an attempt to make sense of things by representing them in ways that can be accommodated within various significance-systems.
<i>Making Sense</i> recognizes that whenever interpretation occurs there may be a plurality of competing successful interpretations. It offers a philosophical theory that views the interpretive enterprise as an attempt to make sense of things by representing them in ways that can be accommodated within various significance-systems.
Critics and artists claim the title of 'interpreter' for themselves. Scientists do not so readily describe themselves in this way. But is the formulation of explanatory hypotheses in science so different from the interpretive work of artists?
<i>Making Sense</i> recognizes that whenever interpretation occurs there may be a plurality of competing successful interpretations. It offers a philosophical theory that views the interpretive enterprise as an attempt to make sense of things by representing them in ways that can be accommodated within various significance-systems.
<i>Making Sense</i> recognizes that whenever interpretation occurs there may be a plurality of competing successful interpretations. It offers a philosophical theory that views the interpretive enterprise as an attempt to make sense of things by representing them in ways that can be accommodated within various significance-systems.
Chapter 1 Introduction
<br>Chapter 2 1 Data and Difficulties: The La Scala
<i>Eracle</i>, Lavoisier's Oxygen, and Various People's Shakespeare
<br>Chapter 3 2 Structure: Schikaneder's
<i>Flugwerk</i>, Gilda's Body, and Horowitz's Liszt
<br>Chapter 4 3 Process: Greek Meteorology,
<i>The Potato Eaters</i>, and Madonna's "Fever"
<br>Chapter 5 4 Kinds
<br>Chapter 6 5 General Rules: The Uninspired Archaeologist and Freud's
<i>Macbeth</i>
<br>Chapter 7 6 Special Rules: The Offstage Piano and Elvis's "Hound Dog"
<br>Chapter 8 7 Conclusions
<br>Chapter 9 Bibliography
<br>Chapter 10 Index
<br>Chapter 11 About the Author
<br>Chapter 2 1 Data and Difficulties: The La Scala
<i>Eracle</i>, Lavoisier's Oxygen, and Various People's Shakespeare
<br>Chapter 3 2 Structure: Schikaneder's
<i>Flugwerk</i>, Gilda's Body, and Horowitz's Liszt
<br>Chapter 4 3 Process: Greek Meteorology,
<i>The Potato Eaters</i>, and Madonna's "Fever"
<br>Chapter 5 4 Kinds
<br>Chapter 6 5 General Rules: The Uninspired Archaeologist and Freud's
<i>Macbeth</i>
<br>Chapter 7 6 Special Rules: The Offstage Piano and Elvis's "Hound Dog"
<br>Chapter 8 7 Conclusions
<br>Chapter 9 Bibliography
<br>Chapter 10 Index
<br>Chapter 11 About the Author
<b>Paul Thom</b> is dean of arts at Australian National University.
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